Showing posts with label hallway. Show all posts
Showing posts with label hallway. Show all posts

Thursday, June 8, 2017

On Fleek / Divide & Conquer

In case you hadn't noticed, the room divider is having a design moment. 

Once strictly the purview of Mid-Century Modern, it's now finding its way into the finest of design families.

Here are 25 ways to parse a space that put the ubiquitous wall and its Cinderella sister (aka, the unadorned doorway) to shame.


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Björn Wallander photo

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No Glitter No Glory

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Ruth Walleyn / Coleur Locale


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DSTRCT


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Nicole Hollis / The Style Saloniste

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Luke White photo / Elle Decoration


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Domain

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Jordana Longo photo / Apartment Therapy


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Vicugo Foto / Planete Deco

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The Fuller View


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Planete Deco

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Martin Architects / Home Adore


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High Estate

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Nuevo Estilo


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Dezeen

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Designrulz


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Keller & Keller / The Boston Globe

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Desire to Inspire


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Birgitta Wolfgang photo / French By Design

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Funda / Planete Deco

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Via Casinha Colorida


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Gert Skaerlund photo / Bo Bedre

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Asier Rua photo / Planete Deco


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INT2 / Planete Deco

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Home Designing


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Saturday, May 6, 2017

Here comes the (on-line boho-style) SUN!

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Last Monday was the last day the sun shone in central Indiana. (Okay, it peeked around 8 p.m. yesterday, just before it set.) I suppose I should be thankful it’s ONLY rain, since Chris and I were married 28 years ago today on a May 6 that had rain, sleet, snow and wind. And a tiny BIT of sun.

When everyone else said that meant I’d have a stormy marriage, my Aunt Sally told me it meant the opposite, that anyone who experienced all the weather systems on one single day (including a BIT of sun) would have an extra special marriage. She said she knew because that’s what happened to her and my Uncle Newell as well.

I’ll take that. Chris is still my bestest friend. But the weather thing? I’m ready for it to be gone, and maybe showing some gorgeous, sun-drenched rooms in today's post will chase it away.


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Dianna Snape photo / via Moon to Moon

This first one is the bedroom in the Warrendyte, Australia, home of artists Inge and Graham King. I love its snug aspect and how the wood shelves, decorated with some of Inge’s sculptures, parse the view. I think I’d even like lying here, looking out, watching the rain. Take the full tour and learn the house’s history at Architecture.au.


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Ana Kamin photo / Apartment Therapy

It’s a simple scene in a simple Scandinavian home in the California woods near Orinda, but I love it nonetheless. The mirror helps bounce the sun around, as well reflect the beautiful view outdoors. Continue your tour of this sunny side of life at Apartment Therapy.


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Via Planete Deco

I could get used to cooking in a sun-filled kitchen like this one. Or maybe I should say I would start cooking IF I had a sun-filled kitchen like this one. No, better not make any promises. But I do want cabinet doors similar to these when (if) we redo our kitchen someday. 

Sure wish the triple window and enormous skylight casting this glow could also be packaged and sold. Well, technically, I suppose it could be, but you see where I’m going. In lieu of funding and opportunity, tour the whole sun-splashed Swedish almost-loft at Planete Deco.


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David Johnson photo / Remodelista

The window panes and trees cast delightful shadows in this midcentury modern house north of New York City. For us home interiors fanatics, the house is the real star of the recently released movie 3 Generations. If you can’t wait until the flick comes to your theater to see the rest of this house, take it all in at Remodelista. Reportedly, it was designed by a Frank Lloyd Wright disciple who apprenticed at Taliesin.


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Eric Piasecki photo /via Desire to Inspire

Oh the joys of breakfast, lunch and dinner shared in this kitchen diner! Lots of glorious light bouncing around everywhere, so that even the floor looks happy, soaking up all that juicy vitamin C.


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Anders Bergstedt photo / via Planete Deco

I don’t usually share many kitchen photos, but that’s the room I keep coming back to today. I love how the half-moon-shaped window, barely visible in this photo, casts a glowing spell on the floorboards. See the rest of this home, also Swedish, also at Planete Deco.


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Via Casinha Colorida

I could live in a loft, IF it came with an elevator. The sunshine is usually a given, given the soaring, factory-style windows of most lofts. But I’d promise NEVER to take either part of loft living for granted.


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Lisa Diederich photo / Apartment Therapy

Another simple scene, this one in a carriage house reno in Nashville, TN. Check out the quirky-cool woodwork and how the sun coming through the venetian blinds casts diagonal patterns. See the rest of this rental (and hope the current resident moves out so I can move in) at Apartment Therapy.


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Alvhem / via Keltainen Talo Rannalla

More gorgeous windows, more delightful patterns of sun shining through them, and yet another Swedish apartment. See the rest of this one at Keltainen Talo Rannalla (The Yellow House on the Beach). If you don’t read Finnish, just alt-mouse-click and select “translate.”


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Erik Melvin photo / Atelier Doré 

Alas, it’s still raining. So maybe what I need is to make my own sunshine, like the owner of this Paris apartment did. It's actually pretty convincing.


But until I can get my hands on a bucket of white paint...


I’ll sing the rainy-Saturday-bossa-nova blues along with one of my favorite chanteuses, Jane Monheit…


Yes, once I, too, walked in the sun. Still do whenever I’m with my sweetie. But that blazing bright thang way up in the sky? Haven't felt its warmth on my shoulders in waaaaay too long. Here's hoping I’ll walk in its light again very soon and that the sun is shining bright wherever all of you are.

Until then,

Susan


PS: Want to brighten up my day in a really BIG way?


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Thursday, March 23, 2017

Boho pattern mix amps up traditional condo



Boston interior designer Katie Rosenfeld deserves a high five, IMBB (in my boho book), for bringing this 1980s New York City condo into the 21st century. No, it’s not exactly a boho home interior, but the mix of patterns and Asian influences easily make the case for “chin-WOW!-serie,” boho’s kissing cousin. (Yes, I made up that term.)

It’s also interesting to me that Eddie Ross, a master magician of mix and chic, styled the space. Many people panic about mixing patterns, styles and periods, but shouldn’t. There is an art to it, but it’s an art that can be learned. Let’s start with some excellent advice from Ross’ book, Modern Mix:

Good taste, whatever it looks like, is about living with the things you love and trusting that they go together. Good taste is a journey into personal style that begins with discovery.

When it comes to decorating, color theory is full of dos and don’ts. My advice: start with something you love—a flower, a fabric swatch, a bracelet, a spoon—and create a mix that makes you happy.

Coordinating patterns isn’t as hard as you might think. Start with a statement print that’s big on color. Carry some of the colors over to another pattern. Repeat a color again in a smaller scale pattern. The solid gives the eye a rest…and ties them all together.

In the case of this condo, the owner loves chinoiserie, but not just any old chinoiserie—Chin-WOW!-serie!!—Asian prints and items that are a little different, more modern, kicked up a notch. As we tour this home, notice how that love comes through in the signature fabrics, which are anything but run-of-the-mill.


Let’s take another look at that living room vignette and try to apply Ross’ ideas. 


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Rachel McGinn photo / Domino

What’s the dominant item and what’s distinctive about it?

I would say the bold print used in the upholstery—what Ross would call the statement print, which in this case is Schumacher’s Chiang Mai Dragon. It mixes with the modern elements in the room—the painting, for one, and the lamp—because it’s a modern take on chinoiserie. The pattern is larger and the colors more mixed and vivid. Don’t shy away from a bold choice in a sofa print, color or style; just make sure you love it and know you can live with it a long time. This print ups the longevity factor because it contains so many different colors, which allows the rest of the room the freedom to go in a number of directions and shift over time.

What prints carry over color from the sofa, and why do they work?

The chair you only catch a glimpse of on the right has a seat cushion in a more geometric coral and mocha print, both colors in the sofa print, which also shows up in a pillow you sneak a peek of on the left. The smaller, more regular print works with the wildly undulating floral because of contrast in scale and shared colors. The green and white flame-stitch pattern in the pillow fills the middle ground size-wise. The pattern in the accent rug is even larger than the sofa print, but works because it is also less busy, geometric, and shares the muted end of the color palette.


How do the solids tie it all together?

The dominant solid in this room is also a neutral. The natural color of the sisal rug and grass-cloth wallpaper give the eye a place to rest, as Ross said. They not only tie into the mocha background of the sofa print but suspend the room in a sea of soft texture.

What about that painting?

Here’s a mix of periods and styles that ups the room’s “it” factor. The painting’s modern, relaxed-geometric lines serve as a counterpoint to the sofa print and the classic lines of the furniture. It pulls not only its white background from that print, but also a color used in much less quantity in the sofa—yellow—which it then uses to great effect. I know from my training as a master gardener that yellow is powerful in landscaping as well. It immediately draws the eye, which makes yellow flowers great destination flowers. Line a pathway with other colors but park yellow at the end, and no one will be able to resist walking toward it. It works with paintings over sofas, too!

Other notes:

  • The lamp has a midcentury modern look and works because, again, its colors occur in the sofa print. I also think its circles are an interesting contrast with the larger square shapes in the painting, and that is more noticeable because the background of both lamp and painting is white. 
  • Think of green as a neutral in most spaces. It occurs at least as often in nature as brown and deserves neutral status. Greens enlivens any room it touches, whether in prints, plants or other accents. I love the green and blue jar on the side table that seems to be a mini interpretation of the same dragon motif in the sofa print. And the potted palm looks for all the world like the dragon’s mane in the sofa print. 


Dining room playground


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Rachel McGinn photo / Domino

The dining room is adjacent to the living room, so carries on its color palette, though with a different emphasis. The brighter oranges of the sofa are suggested by the more subdued tones in the area rug. But it’s the irregularly striped, black-and-white fabric that upholsters the chair seats that catches the eye. Watch for black-and-white tones reappearing throughout the home to help tie spaces together.

“I tried to steer the homeowner to classic shapes and traditional forms that wouldn’t date themselves and then to treat them in more playful ways,” Rosenfeld says. The vintage mid-century glass-topped dining table is an example of this. “I wanted people to wonder if it was the homeowner’s grandma’s table, or is it new? You just never know.” (Hint-hint: It is new, and by McGuire.)

Another playful part of this room (and my favorite element) is the colorful dragon figurine presiding over the console table, as if it sprung live from the sofa print!


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Rachel McGinn photo / Domino


The chair cushion print was also used in the living room, and the homeowner’s love of Asian furniture continues throughout. Here an antique coffer chest serves as a bar, and a retro piece of art adds a pop of orange—something you’ll see elsewhere, along with pops of emerald and pink, as well as the black-and-white thread.


Mastering the master bedroom


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Rachel McGinn photo / Domino

The dominant element in the master bedroom is obviously the Brunschwig and Fils animal print on the walls, headboard, bed skirt, and lamp shade, but it’s a quiet dominance that lets that to-die-for Manuel Canovas print in the shams and throw pillows have its say as well. 

The colors in the storage bench upholstery (also Brunschwig and Fils) are pulled from that print, as are the colors in the vintage kilim rug and the green in the bedding. The faux tortoiseshell nightstand adds an additional layer of texture and seems to me to mimic the animal print in reverse tones. 

My favorite element—again—is another dragon figurine, this time on the nightstand. ROAR!!


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Rachel McGinn photo / Domino

Even the books in the window pull their colors from that fantastical Manuel Canova pillow print. And the painting works as its abstract interpretation.


More than meets the eye


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Rachel McGinn photo / Domino

Would you guess this daybed unfolds to reveal a king-size bed? Me neither, but it’s true, which makes this the perfect addition to most any NYC apartment low on space. I love the feminine mix of prints in this guest room, and all those colors that are pulled directly from that Missoni rug. 

No dragons here, but lots of my favorite color—magenta!!


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Rachel McGinn photo / Domino

This series of Japanese watercolors in a hallway showcases the owner’s interest in more modern interpretations of Asian artistic traditions. They tell the story of how tea is made, which, come to think of it, relaxes me just thinking about it. How 'bout I sink down onto one of those stools, ditch MY shoes, and take deep breaths while someone brews me a cuppa?


Oh to be a guest here!


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Rachel McGinn photo / Domino

The third bedroom, like the master, uses repetition to unify and punch things up. A faux-boise print from Brunschwig & Fils is used for the headboard and the bedskirt, in the same tones as the grass-cloth wallpaper we saw in other parts of the home. 

The homeowner has owned the multi-print quilt for years, and I don’t think I’ve ever seen a better incorporation of a kantha quilt in a bedroom. It looks absolutely stunning against the white-trimmed-in-orange Matouk bedding, as well as the Manuel Canovas print in the pillow and roman shade.

Lots of prints mix and match in this room, so why does it feel restful rather than busy? Review Ross’ guidelines and pull out the reasons on your own this time. You can do it!

My favorite part in this room is that gorgeous Manuel Canovas fabric. So much so that I searched Ebay to see if I could snag a yard or so for some pillows. Alas, a 15-inch square was going for over $40, which is definitely out of my league. 

I also love the textural quality the lamp adds to this room. And did you notice that the tiny pop of yellow in the flowers seems pulled from the blooms in the window shade?

Be still my racing heart!


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Rachel McGinn photo / Domino

This room also features an abstract painting by Debra Smith that gets played up by the other orange in the room. That's quite a trick to decorate with orange without it being overpowering, and Rosenfeld has definitely earned her commission here.

There’s also more black and white in the bone-inlay dresser and more of that sumptuous Canovas fabric in a skirted slipper chair.

Forget visiting; when can I move in?


If you want more (like I do!)...

  • Read the full story on this amazing transformation in Jaci Conry’s article for Domino Magazine, “This Apartment Will Inspire You to Mix Patterns With Abandon.”
  • Check out designer Katie Rosenfeld’s bold and fun portfolio.
  • Get more Manuel Canovas at Cowtan & Tout’s website. Even if you're pocketbook's as strapped as mine, you'll enjoy the eye candy.
  • Follow the link to keep up with designer and stylist Eddie Ross. And follow the affiliate link below to take a peek inside (and order!) his book.
  • Become a subscriber and don't miss a single BoHo Home post. Just sign up for to-your-inbox posts using one of the subscription services at the bottom of the page. Or you can follow my blog with Bloglovin, a social-media site for blog lovers that provides you with a customized feed of all the blogs you choose to read at one simple location.

Saturday, March 11, 2017

Learning to see #1 / 12 home interior vistas

vis·ta /vistə/ noun 

- a pleasing view, especially one seen through a long, narrow opening
- a mental view of a succession of remembered or anticipated events 


We tend to think of vistas—or views—in terms of seeing the outside through something inside. For instance, we appreciate a view of rolling countryside through the frame of a window. But the interior world—and specificially, the home interior world—is full of vistas in which we look through one interior frame or opening into another interior view.

It’s a good thing I’ve been collecting photos that are examples of what I’m talking about, so you don’t think I’m nuts. But framing an interior space in the same way we would an exterior one makes a lot of sense in decorating. It gets you to look at the space in a particular way. A new way.

A way in which you begin to understand how spaces in a home connect. A way a home—your home—can unfold to tell your story.

See what I mean…

1.

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Nena & Co.

This IS BoHo Home, so I thought it only logical to begin with a boho example. The focus of attention is, obviously, the over-the-top daybed we see through the door, jam-packed with interesting and colorful textiles. But consider how the scene composed in the hallway draws us in:
  • The walls are stark white, which simplifies the riot of pattern ahead. 
  • A few patterned elements hang on these white walls, but they’re hung at an angle that draws us into the daybed. 
  • Neutral, textural elements—the guitar, the plants, the baskets, the armoire—almost seem at one with the floor and work like the white walls to frame the bottom part of the scene. 


2.

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José Luis Hausmann photo / Casadiez 

This room also possesses elements of boho, but in a much more minimal way. The walls here are also white (and mostly bare), which emphasizes not only what little color there is, but also texture. And this vista is ALL about texture:
  • Warm wood textures in the foreground table that connect to the warm wood floor, the rustic wood crate with peeling paint that’s used as a nightstand, and the varying wood tones of the headboard. 
  • The gold glasses connect with the ochre bedding. The former texture is smooth and refined, while the latter is rougher and less refined. 
  • The brick upper wall within the bedroom works as an invitation to enter. It seems to be pointing to what we cannot see, as is the bedside lamp and the hats hung over the headboard. 


3. 

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Nyréns Arkitektkontor via Planete Deco 

Another bedroom—one busy with patterned bedding, plants, art and other décor—becomes a longed-for destination because of the simplicity of the charcoal gray walls that hold you as you approach. They also create a certain moodiness that is broken by the shaft of light coming out of the bedroom. 

Who wouldn’t want to go toward that light?


4.

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William McLure via Elements of Style

This bedroom is so neat and tidy it makes my heart sing. It’s also mostly neutral, with tan, black and white. But it gets its zing from the cobalt blues that begin in the hallway—in the linen cabinet, the chinoiserie porcelains, and the blue-and-white graphic art above the door. 

I love that the porcelains on top of the cabinet connect with the blue-and-white garden stool in the corner to the bedroom’s entrance. And if you look closely inside what we can see of the bedroom, there is one chinoiserie vase, on the mantel. 

Do you see any other blue and white? A big star for you if you notice the crisp blue-and-white-striped bedsheets AND the deep blue walls.


5.

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Frédéric-Léon Ducout photo / Maison Créative

The fun in this vista—for me anway—is the sweet arched mirror with the word “amour” next to it, then the bedroom beyond. So the story becomes, look in the mirror and get your sexy face on, then proceed to the bedroom. It’s like foreplay for design!

And something about the composition speaks to me as well. The sink with the mirror over it and the unusual light fixture over that stacks up in much the same way as the bed, the gallery wall and the chandelier in the room beyond. It’s a kind of symmetry.


6.

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Michael G. Imber via Desire to Inspire

Bedrooms show up in vista-like photos so often because they’re usually partitioned off from the rest of the home, most often by a door, which creates a natural vista. But other parts of the house also contain vistas. Here, gracefully cut-out, painted paneling frames an arched doorway in a contrasting color, which frames the kitchen beyond.

Though a modern appliance sits on the kitchen counter, what we focus on is the crockery, the painting we only see a corner of, and the rough-hewn beam used for open shelving. The blue of the outer room—a pantry or mudroom?—acts like a cool sky through which we see the larger, warmer world, though our view of it is quite a bit smaller in comparison. 

The straw hat hung on the upper left, the basket on the upper right, and the warm terra cotta pot on the lower right all point into that kitchen, where the sun shines warm in those same colors.


7.

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Erik Jaeger photo / Klikk

Wood and white, wood and white, wood and white. This vista is all about the repetition of those elements to pull us in, in, in:
  • The rustic wood paneling is outlined in white molding. 
  • The wood threshold contrasts with the white floor beyond it. 
  • The wood door into the innermost room contrasts with the white walls.
  • The wood chairs beyond contrast with the white curtains, pendant and tableware. 
  • Finally, the flowers by the door and on the table in the far room add additional milestones that draw us toward this destination. 


8.

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Via Achados de Decoração 

The juxtaposition of black, white and warm wood tones is what makes this vista work. It’s a busy setting, what with the chalkboard walls, the patterned chairbacks and the densely grouped art both in the outer hall and the room beyond the table. 

But the neutral color palette helps soften it, as do the plants. And I love the hopscotch-patterned rug, which points the way and adds to the feeling that this is a playful place.


9.

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Via Mademoiselle by Mod

Moody contrasts make this vista. The signal yellow of the chair on one side of the double doors and the gold-potted plant on the other mark the way for the eye, particularly against the moody dark blue of the walls. 

Because the doors are slightly ajar yet at different angles creates movement and suggests we come on in. And I, for one, want to see what’s inside! The white sofa—a distinct contrast from the dark walls—entices me, as does that peek of the cute animal sculpture on the coffee table.

The two area rugs also act as bridges. The furry one outside seems to have dark coming from light, while the tweedy one inside seems to have light coming from dark; or is it the other way around? 

Whichever it is, it works.


10.

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Via Home & Garden

This is such an unusual doorway, that it deserves a well-constructed vista. I’m guessing it’s in a loft environment (or some other sort of industrial space reconfigured for housing) and there has been some effort to preserve the original architectural structure. 

Somewhere in the building's history the overhead beam was notched and that has been left exposed. The difference in trim from side to side is painted to match but lends a quirky touch. Wouldn’t you expect to find something like a vintage motorcycle framed by pillars like that? The chaise placed on an angle calls attention to the doorway, as do the black wall shelves, seen in perspective.

Can you guess my favorite part? It’s the “Zip” sign hung over the cabinet, which connects not only with the motorcycle but also with the zip the bright suzani throw adds to the ivory-colored chaise.


11.

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ADE Architecture / HomeDSGN

“Buy the ticket, take the ride,” posted on the end wall in this vista stands out because it’s white on dark gray, a contrast with the black on white of the foreground. The black pendants seem to march us toward the sign, which has a resting place beneath it—a sort of storage bench—that connects in color to the sliding barn door in the right foreground.

But there’s something else at work here. It’s that kind of gruesome painting on the left—a bleeding, mustachioed skull—the only element of color in the scene. And next to the skull painting is a vintage copper oxygen tank. It’s as if the entire vignette is telling us we MUST buy the ticket, and we MUST take the ride, that it’s the only way to keep from dying spiritually and emotionally before we die physically.


12.

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Marnie Hawson photo / Gardener & Marks Interior Design

Back to the bedroom again, but this time the vista is more traditionally what we think of when we hear the word because of the outdoors beyond. 

To me, this room is full of story. I’m not usually a fan of the rumpled-bed look, but here it speaks of immediacy to me, that there’s nothing so important as getting out that door, into nature, and setting up camp in that chair—a philosophy I so heartily agree with.


So why am I ruminating on all these photos of homes as if they were novels with symbols, characters, and plots of their own?


Because they are, don’t you see? You are. Your home is your story

So sneak around its corners with your phone and take some pictures of your very own home interior vistas. You may not always like what you see, but eventually you’ll start to see how to make adjustments that better connect the discrete spaces of your home and compose a picture that better reflects your story.


If you want more...

  • Follow my Pinterest board, Vistas, and get your eyes used to a new way of seeing.
  • Take photos of your own home interior vistas and use what you see to make changes. When you like what you see, send your photos to me at susan@bohohome.com, and I'll share them in a future "Learning to See" post.
  • Start your own "Vistas" Pinterest board to help you in your plight.
  • Become a BoHo Home follower and never miss another post. It's easy! Just plug your email into one of the subscription services as the bottom of this page. Or, follow my blog with Bloglovin, a social-media-type service that feeds you all the blogs you want to keep up with in one convenient place.
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